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Issues : GE revisions
b. 29
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composition: Op. 25 No 6, Etude in G♯ minor
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category imprint: Differences between sources issues: GE revisions |
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b. 30-31
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composition: Op. 25 No 6, Etude in G♯ minor
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Different versions of rhythmic notation of the last third are not easy to classify in terms of authenticity and chronology. The differences between particular sources concern three elements: the tie sustaining b category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE , Inaccuracies in FC |
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b. 31
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composition: Op. 25 No 6, Etude in G♯ minor
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Before the 1st semiquaver in the R.H. in FC (→GE1), FE and EE there is no category imprint: Differences between sources issues: Errors in FE , Accidentals in different octaves , Errors in EE , GE revisions , Errors of FC |
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b. 31
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composition: Op. 25 No 6, Etude in G♯ minor
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Cautionary naturals before b1 and b2 in the last pair of semiquavers are only in FE and GE2 (→GE3). In EE, the category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 34
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composition: Op. 25 No 6, Etude in G♯ minor
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In the 2nd half of the bar, in FC (→GE1), FE and EE1 there are no sharps raising c1 to c category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Inaccuracies in FC |