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Issues : EE revisions
b. 29-30
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composition: Op. 25 No 6, Etude in G♯ minor
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In FE and EE1 (→EE2) there are no flats lowering b2 to b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in FC |
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b. 30-31
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composition: Op. 25 No 6, Etude in G♯ minor
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Different versions of rhythmic notation of the last third are not easy to classify in terms of authenticity and chronology. The differences between particular sources concern three elements: the tie sustaining b category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE , Inaccuracies in FC |
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b. 31
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composition: Op. 25 No 6, Etude in G♯ minor
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Cautionary naturals before b1 and b2 in the last pair of semiquavers are only in FE and GE2 (→GE3). In EE, the category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 36
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composition: Op. 25 No 6, Etude in G♯ minor
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Same as previously, in FE, EE1 and GE1, the abbreviated notation of FC and remaining Stichvorlage manuscripts were misinterpreted in FE, EE1 and GE1, which gave the 2nd, 3rd and 4th group of semiquavers without any accidentals. The mistake was corrected in EE2 (→EE3) and GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Inaccuracies in FC |
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b. 42
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composition: Op. 25 No 6, Etude in G♯ minor
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The natural lowering a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals |