Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Shorthand & other
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Shorthand & other

b. 36-37

composition: Op. 25 No 6, Etude in G♯ minor

..

In FC in both bars the 2nd, 3rd and 4th groups of semiquavers are written in an abbreviated manner as repetition of the first.

category imprint: Differences between sources

issues: Abbreviated notation of A

b. 39-40

composition: Op. 25 No 6, Etude in G♯ minor

..

In FC, the 2nd, 3rd and 4th groups of semiquavers in bar 39 and two last in bar 40 are written in an abbreviated manner as repetition of the group, written with notes, preceding the // signs.

category imprint: Differences between sources

issues: Abbreviated notation of A

b. 49-50

composition: Op. 25 No 6, Etude in G♯ minor

..

In FC the 3rd and 4th group of semiquavers in bar 49 and last three in bar 50 are written in an abbreviated manner as repetition of the group preceding the // signs, written with notes.

category imprint: Differences between sources

issues: Abbreviated notation of A

b. 53-54

composition: Op. 25 No 6, Etude in G♯ minor

..

In FC, the 3rd and 4th groups of semiquavers in bar 53 and last three in bar 54 are written in an abbreviated manner as repetition of the group preceding the // signs, written with notes.

category imprint: Differences between sources

issues: Abbreviated notation of A