The fingering of FE, coming undoubtedly from Chopin, was most probably added in the proofreading of this edition. The fingering was then repeated – inaccurately, without the last '5' in bar 14 and '2' in bar 15 – in EE2 (→EE3). It is characteristic that both here and in bars 17-18, Chopin probably considered the fingering of the top voice to be more natural than of the bottom one, since he gave only a few digits over the notes.
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category imprint: Differences between sources
issues: EE revisions, Authentic corrections of FE
notation: Fingering
