Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 6, Etude in G♯ minor
In FC, the 2nd, 3rd and 4th group of semiquavers are written in an abbreviated manner as repetition of the first. This notation – certainly drawn from [A] – undoubtedly means repetition of genuine pitch of the sounds from the 1st group and not of the notes themselves without accidentals, which was initially not understood in any of the first editions (FE, EE1, GE1). The necessary sharps, single and double, were added only in EE2 (→EE3) and GE2 (→GE3).
Compare the passage in the sources »
category imprint: Differences between sources
issues: Abbreviated notation of A
notation: Shorthand & other