Page: 
Source: 
p. 4, b. 69-88
p. 1, b. 1-23
p. 2, b. 24-48
p. 3, b. 49-68
p. 4, b. 69-88
p. 5, b. 89-107
p. 6, b. 108-138
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 73-76

Slur in bar 86 in FC (→GE1)

4 slurs in FE

No slurs in EE

2 slurs in GE2 (→GE3)

The four slurs over the pairs of the chords of the L.H., present only in FE, are undoubtedly an improvement of notation. Together with the staccato dots for the bass notes, they precisely define the articulation of the part of the L.H. The articulation in the remaining sources is marked in a draft manner with the help of single signs – a slur in FC (→GE1) and two staccato dots in EE. The slur in bar 74 was added in GE2 (→GE3), most probably after analogy with the slur of FC in bar 76.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Slurs

Missing markers on sources: FC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b