Page: 
Source: 
p. 6, b. 108-138
p. 1, b. 1-23
p. 2, b. 24-48
p. 3, b. 49-68
p. 4, b. 69-88
p. 5, b. 89-107
p. 6, b. 108-138
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 130-133

Long accents in FC

R.H. long accent in FE

R.H. long accents in EE & GE1

Short accents in both hands in GE2 (→GE3)

The long accent in bar 130 must have been included in [A], whereas the remaining were added by Chopin in FC and probably in the base text to EE. The added signs have a form of long accents and this is how they were recreated in EE and GE1. In later GE, they were changed to common, short accents. The signs in FC are placed more or less between the staves and they probably concern both hands. In FE, EE and GE1 they were placed under the R.H., whereas in GE2 (→GE3), another set of accents for the L.H. was added.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents, Inaccuracies in GE, GE revisions, Authentic corrections of FC

notation: Articulation, Accents, Hairpins

Missing markers on sources: FC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b