Page: 
Source: 
p. 3, b. 49-68
p. 1, b. 1-23
p. 2, b. 24-48
p. 3, b. 49-68
p. 4, b. 69-88
p. 5, b. 89-107
p. 6, b. 108-138
FC - Fontana's Copy
Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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copy link PDF FC - Fontana's Copy


  b. 51

Minim in FC

Dotted minim in FE & EE1 (→EE2)

Minim with rest in GE & EE3

In this bar, due to the change of harmony on the 3rd beat of the bar, the issue of sustaining the d minim to the end of the bar has a crucial practical meaning. Therefore, the version of FC is probably a mistake, additionally confirmed by the rest, added arbitrarily in GE (and EE3). 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, GE revisions, Inaccuracies in FC

notation: Rhythm

Missing markers on sources: FC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b