mUltimate Chopin

Op. 25 No 5, Etude in E minor

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Fingering

b. 1-2

composition: Op. 25 No 5, Etude in E minor

No fingering in FC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

EE2 (→EE3) added fingering for three figures in the R.H. In spite of a clear accuracy, nothing indicates its provenience from Chopin.

category imprint: Differences between sources

issues: EE revisions

b. 21

composition: Op. 25 No 5, Etude in E minor

No fingering in FC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

EE2 (→EE3) added a non-authentic fingering.

category imprint: Differences between sources

issues: EE revisions

b. 24-25

composition: Op. 25 No 5, Etude in E minor

No fingering in FC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

The fingering, not very natural, is undoubtedly a non-authentic addition of EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions

b. 45-48

composition: Op. 25 No 5, Etude in E minor

No fingering in FC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

Nothing indicates that the fingering added in EE2 (→EE3) could have come from Chopin.

category imprint: Differences between sources

issues: EE revisions

b. 49-52

composition: Op. 25 No 5, Etude in E minor

No fingering in FC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

In the main text we do not include the non-authentic fingering of EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions