Page: 
Source: 
p. 2, b. 17-32
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-48
p. 4, b. 49-65
Main text
Main text
A - Autograph
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 18

 below L.H. in A (→FC,FE) & EE

 between staves in GE

Moving the  hairpins in GE between the staves is certainly an arbitrary decision of the engraver, in this case, it is not entirely indifferent for the meaning of this sign.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Scope of dynamic hairpins, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FC, A, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, FES, GE1, GE1a, GE2, GE1b