mUltimate Chopin

Op. 25 No 4, Etude in A minor

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Page: 
Source: 
p. 4, b. 49-65
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-48
p. 4, b. 49-65
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Main text
A - Autograph
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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A - Autograph
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 60

E in A

C in FC (→GE), FE & EE

The E note, written in A as the 3rd quaver of the bar, was changed by Chopin to C in the remaining two Stichvorlage editions and proofreading of FE. Chopin performed a similar correction, which allowed to avoid parallel octaves between the extreme voices, in the Etude in A major, Op. 25 No. 1, bar 21. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, Authentic corrections of EE, Authentic corrections of FC

notation: Pitch

Missing markers on sources: FC, A, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, FES, GE1, GE1a, GE2, GE1b
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