Issues : Deletions in A
b. 27
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composition: Op. 25 No 4, Etude in A minor
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Both source versions of the last quaver in the L.H. are a result of corrections, certainly (A) or most probably (FC) authentic. Out of these two practically equal versions, to the main text we choose the a-c1 third written in A (→FE). According to our evaluation, the corrections in the L.H. visible in A also in the next two bars prove a thought-out decision of the composer, including all sound aspects of the accompaniment in this fragment. category imprint: Differences between sources; Corrections & alterations issues: Deletions in A , Accompaniment changes |
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b. 62
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composition: Op. 25 No 4, Etude in A minor
category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Deletions in A |