Pedalling
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b. 8
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composition: Op. 25 No 4, Etude in A minor
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The pedalling in EE can be authentic. However, one cannot totally exclude an editorial revision, which could have introduced here an indication drawn from analogous bar 46. category imprint: Differences between sources issues: EE revisions |
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b. 25-26
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composition: Op. 25 No 4, Etude in A minor
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Lack of pedalling in A (→FE) is one of the examples of an incomplete coordination of corrections and additions introduced by Chopin in three Stichvorlage manuscripts. category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 46
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composition: Op. 25 No 4, Etude in A minor
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In A (→FE), omission of the pedalling written by Chopin in FC (→GE) and base text to EE was certainly unintentional. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 53
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composition: Op. 25 No 4, Etude in A minor
category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 57
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composition: Op. 25 No 4, Etude in A minor
..
We include the pedalling on the last crotchet in the bar, written only in A (→FE), in the main text, as it seems to us that it constitutes a natural addition to the indications of the remaining sources. category imprint: Differences between sources |
