Issues : EE revisions

b. 46

composition: Op. 25 No 4, Etude in A minor

..

In all sources, except for GE and EE2 (→EE3), there is no  returning g1 in the 3rd chord in the R.H. It is a characteristic for Chopin, patent inaccuracy (in analogous bar 8 Chopin wrote a relevant sign in A). In GE was added also before g2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A

b. 47-48

composition: Op. 25 No 4, Etude in A minor

No signs in A (→FE) & EE1 (→EE2)

 in FC

Shorter  in GE & EE3

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The pair of  signs, present only in FC, was certainly added by Chopin. The hairpins were repeated in GE and later also in EE3, yet the range of signs in these editions is closer to these written in bars 39-40.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Scope of dynamic hairpins , Authentic corrections of FC

b. 55

composition: Op. 25 No 4, Etude in A minor

No sign in A (→FE) & EE1 (→EE2)

 in FC (→GE) & EE3

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The  sign in FC (→GE) was most probably added by Chopin. From GE it was also passed to EE3.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FC