mUltimate Chopin

Op. 25 No 3, Etude in F major

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 53-72
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-52
p. 4, b. 53-72
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 53-58

Dots in GC (→GE)

Wedges in FE & EE

Same as in bars 49-52, the simplest explanation of the difference in the staccato signs between GC (→GE) and FE and EE is Gutmann's misunderstanding of the notation of [A]. Similarly in bars 60-64.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Wedges, Inaccuracies in GC

notation: Articulation, Accents, Hairpins

Missing markers on sources: GC, FES, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, GE1, GE1a, GE2, GE1b
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