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p. 2, b. 17-32
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The pedalling of EE is undoubtedly authentic; it cannot be excluded that, same as in many other similar situations (see bar 24), combining two figures based on one harmony with pedal is a result of Chopin's reflection and correction. However, as the transposition of the music narrative one octave down appears only here in the entire section (bars 17-28), it cannot be excluded that Chopin was not entirely sure of the pedalling of this bar. Due to this fact, we leave a possible pedal change at the discretion of the performer.
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category imprint: Differences between sources
issues:
notation: Pedalling
Missing markers on sources:
GC, FES, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, GE1, GE1a, GE2, GE1b