Page: 
Source: 
p. 3, b. 33-52
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-52
p. 4, b. 53-72
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GC - Gutmann's Copy
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FED - Dubois copy
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FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 43

in GC (→GE) & FE

No marking in EE

The absence of  in EE – unless it is the engraver's oversight – may mean that Chopin overlooked the base text to this edition, adding the hint in Stichvorlage manuscripts. It is also possible that he deleted the sign written before the 2nd beat of the bar, willing to move it to the beginning, yet he did not finish the correction (such a correction can be seen in GC, see also bar 29).

See b. 17-19

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: EE inaccuracies, Authentic corrections in GC

notation: Verbal indications

Missing markers on sources: GC, FES, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, GE1, GE1a, GE2, GE1b