Page: 
Source: 
p. 3, b. 33-52
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-52
p. 4, b. 53-72
EE1 - First English edition
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GC - Gutmann's Copy
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FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
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GE1b - Flawed impression of GE1
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GE3 - Revised impression of GE2
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EE1 - First English edition
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FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
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EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 51

in GC (→GE1), EE & GE3

d in FE & GE2

The version of FE with is a result of Chopin's proofreading – there are visible traces of correction in print. It cannot be excluded that the version with was originally present also in bars 3 and 11, where Chopin corrected it in [A]. It would be then a case of overlooking one place while proofreading a few analogous bars (quite a frequent phenomenon in Chopin's pieces). Both changes in later GE are revisions – in GE2 this figure was assimilated to analogous bars 3 and 11; GE3 returns to the version of the base text, i.e. GC.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Authentic corrections of FE

notation: Pitch

Missing markers on sources: GC, FES, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, GE1, GE1a, GE2, GE1b