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Source: 
p. 3, b. 33-50
p. 1, b. 1-14
p. 2, b. 15-32
p. 3, b. 33-50
p. 4, b. 51-69
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AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 48-50

in AW

No indications in CDP, GC (→GE), FE & EE

It is not entirely clear whether the agogic indications of AW – poco ritenuto in bar 48 and a tempo in bar 50 – may be considered as independent from the remaining performance indications in this section – see the notes to bars 43-45, 47 and 47-48, as well as 49-50. According to us, poco ritenuto is not contrary to smorzando, while a tempo is rather to be linked with  in bar 50 rather than with .

 

 

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Verbal indications

Missing markers on sources: AT, AW, CDP, GC, FE1, FES, FED, FEJ, FE2, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b