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b. 48-50
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composition: Op. 25 No 2, Etude in F minor
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It is not entirely clear whether the agogic indications of AW – poco ritenuto in bar 48 and a tempo in bar 50 – may be considered as independent from the remaining performance indications in this section – see the notes to bars 43-45, 47 and 47-48, as well as 49-50. According to us, poco ritenuto is not contrary to smorzando, while a tempo is rather to be linked with
category imprint: Differences between sources |
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b. 49-50
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composition: Op. 25 No 2, Etude in F minor
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According to us, the It is hard to state whether the hairpins of EE were inaccurately reproduced by the copyist or engraver or whether they were written in a slightly different way by Chopin in the base text to this edition. category imprint: Differences between sources; Corrections & alterations issues: EE inaccuracies |
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b. 49
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |
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b. 50
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composition: Op. 25 No 2, Etude in F minor
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We give Chopin fingering drawn from AW in the main text at the first appearance of an identical figure in bar 19. category imprint: Differences between sources |
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b. 51-69
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composition: Op. 25 No 2, Etude in F minor
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AT does not include this part of the Etude. category imprint: |
in bar 50 rather than with 
.
