Issues : Annotations in FES

b. 28

composition: Op. 26 No 2, Polonaise in E♭ minor

..

A (→FEEE1) lacks  rising c1 to c1. The obvious Chopin's imprecision was corrected in GE and EE2, as well as in FES which displays  written in probably by Chopin himself.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Last key signature sign

b. 33

composition: Op. 26 No 2, Polonaise in E♭ minor

Quaver F in A (→FEGE1,EE)

No F in FES

Staccato quaver F in GE2 (→GE3GE4)

..

In the ninth chord in the L.H. at the beginning of the bar, Chopin deleted in the pupil's copy FES. The simplification can be considered a variant for a small hand.

GE2 (→GE3GE4) arbitrarily assigned a staccato dot to this note.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FES

b. 43

composition: Op. 26 No 2, Polonaise in E♭ minor

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FES

b. 137

composition: Op. 26 No 2, Polonaise in E♭ minor

Quaver F in A (→FEEE)

Staccato quaver F in GE

No F in FES

..

As in bar 33, in the ninth chord in the L.H. at the beginning of the bar Chopin deleted in the FES pupil's copy. The facilitation can be considered to be a variant for a small hand.

category imprint: Source & stylistic information

issues: Annotations in teaching copies , Annotations in FES

b. 171

composition: Op. 26 No 2, Polonaise in E♭ minor

..

FES includes a cautionary  next to c2 in the L.H. – most probably written with Chopin's hand.

category imprint: Differences between sources

issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES , Last key signature sign