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Source: 
p. 3, b. 38-53
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
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A - Autograph
FE - French edition
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FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 38

The beginning of the D major section is rich in deletions in A. They suggest, i.a., that Chopin started writing notes without having marked the change of key (the deleted f2 minim among the key signature on the top stave) and that he added dots on the right hand side of the repetition sign later (deletion of braces, directing the repetition sign backwards).

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category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Authentic corrections of FE

notation: Shorthand & other

Missing markers on sources: FED, FEJ, FES