Page: 
Source: 
p. 5, b. 70-85
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
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A - Autograph
FE - French edition
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FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
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EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
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  b. 85

No indication in A (→FEGE,EE)

[D. C. al Fine...] suggested by the editors

The D. C. al Fine senza repetizioni indication is our addition. In the sources there is no indication ordering repetition of the C minor section (da Capo), there is only Fine, with which Chopin would usually mark the end of a manuscript (piece). In spite of this, we consider a typical, three-section polonaise form to be more likely than the clearly less frequently encountered two-section structure:

  • all remaining Polonaises published by Chopin – Op. 3, 22, 26, 40, 44, 53 – use a form based on a three-section scheme, in which the third section is a repetition of the first one, shortened or modified in another way;
  • in the previous, unpublished polonaises, in which no one doubts the ABA form, only two out of nine pieces include a written da Capo indication;
  • A is written rather carelessly, it is of a partially working character. Therefore, it is quite possible that similarly as in the previous polonaises, Chopin did not mark – the obvious for him – da Capo indication. 

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category imprint: Interpretations within context; Editorial revisions; Source & stylistic information

issues: Errors of A, Differences in form

notation: Shorthand & other

Missing markers on sources: FED, FEJ, FES