Page: 
Source: 
p. 3, b. 38-53
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 44

 

 

Due to the necessary shift of staccato dots in print under the quavers in the bottom voice in the R.H. (in A Chopin wrote dots on the side of the note heads), we suggest adding a complementary articulation slur (same as in the L.H.), also in analogous bar 76. Chopin applied a similar solution in bar 38.

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Slurs

Missing markers on sources: FED, FEJ, FES