Page: 
Source: 
p. 5, b. 70-85
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
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EE2 - Revised impression of EE1
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  b. 79

Inverted long accent in A & GE2

 in FE (→GE1,EE)

Short accent in GE3 (→GE4GE5)

Accent written into FEJ

In FE (→GE1,EE), instead of the sign of a reversed accent, there are  hairpins between b1 and a1. The inaccuracy, clearly distorting the sense of the sign, was revised in GE2 and GE3 (→GE4GE5) on the basis of comparison with analogous bar 47. In FEJ Chopin added an accent in pencil under the top stave, which, according to us, can be considered to be a temporary correction of the misleading notation of FE

See b. 47

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Annotations in teaching copies, Inaccuracies in FE, GE revisions, Annotations in FEJ

notation: Articulation, Accents, Hairpins