Page: 
Source: 
p. 1, b. 1-19
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 13-17

2 staccato dots in A (→FEEE)

1 staccato dot in GE1

3 staccato dots in GE2 (→GE3GE4GE5)

In A Chopin most probably introduced a staccato dot for the 1st quaver in the L.H. in bar 13 and certainly in bar 17. Both signs were included in FE. As bar 15 is generally a repetition of bar 13, the absence of the dot in the analogous place can be considered Chopin's oversight. In turn, as a result of an unquestionable oversight of the engraver, in GE1 there is no dot in bar 17 – the sign was already in FE. To the main text we adopt the complete articulation of GE2 (→GE3GE4GE5).

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Errors in GE, GE revisions, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: FED, FEJ, FES