Page: 
Source: 
p. 2, b. 20-37
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
FE1 - First French edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 31-32

Slur in A (contextual interpretation) & GE2 (→GE3GE4GE5)

Slur in FE (→GE1,EE)

In FE (→GE1,EE) the slur ends on the last note in bar 31. In similar bars 5-7, the slur is led to the 1st note of bar 7, which ends the phrase. A possible reason of the slur's shortening in the editions is the inaccuracy of notation of A, in which Chopin ended the slur just before the bar line between bars 31 and 32.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE, Inaccurate slurs in A, EE inaccuracies

notation: Pitch

Missing markers on sources: FED, FEJ, FES