mUltimate Chopin

Op. 26 No 1, Polonaise in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 20-37
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF A - Autograph

  b. 20

Triads in FE (→GE,EE)

Fourths in A

In the proofreading of FE1, Chopin added b1 and a1 respectively to the last two quavers. With the sustention of d2 it constitutes an undobted improvement of this end of phrase.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Pitch

Missing markers on sources: FED, FEJ, FES
Complete ➔