Page: 
Source: 
p. 2, b. 20-37
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
FE - French edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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All
Important
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copy link PDF FE - French edition


  b. 20

Staccato dot in A

No dot in FE (→GEEE)

FE (→GE,EE) overlooked the staccato dot for the D1-D octave in the L.H. The engraver's oversight was certainly caused by the unclear notation of A, in which Chopin introduced some of the dots in a very delicate manner and at the same time not directly under the note (moved to the left or to the right) and additionally merging with the pedalling signs. 

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE, EE inaccuracies, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: FED, FEJ, FES