Issues : Authentic corrections of FE
b. 52-53
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A the first quaver in bar 52 is an A1, whereas in bar 53 – A. Chopin swapped them in the proofreading of FE1. The composer performed a similar correction also in analogous bars 84 and 85. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 61
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The change of the rhythm introduced in the proofreading of FE1 includes all features of a Chopin improvement. category imprint: Differences between sources |
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b. 66
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A features an e1 as the 1st quaver of the bottom voice. Chopin performed a correction in FE1, changing it to a d1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 76
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Same as in bar 44, the raising g2 to g2 was moved from before the 2nd quaver in front of the first one in the proofreading of FE2 (→EE), most probably by Chopin. The sign was moved also in GE1, which is most probably a right revision of the editor (in the subsequent GE, the before the 2nd quaver was unnecessarily returned). category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |
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b. 82
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE,EE) the apparently unclear slur is almost certainly a tie sustaining f2, left erroneously by the engraver – see bar 50. The mistake was corrected in GE2 (→GE3→GE4→GE5). category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , Authentic corrections of FE |