Issues : Errors in GE
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b. 51
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composition: Op. 26 No 1, Polonaise in C♯ minor
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None of the editions includes a wedge for the f2 semiquaver in the R.H. – both in bar 51 and in analogous bar 83. In addition, a respective correction was undoubtedly overlooked by Chopin while proofreading FE. The legitimacy of completing this sign can be additionally confirmed by the fact that it is visible in A also in a previous version of this bar, deleted by Chopin. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
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b. 52-53
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The engraver of FE inserted only one slur for bars 52-53. It could have been caused by the fact that in A Chopin deleted the previously written R.H. in bar 53, at the same time leaving the original slurring. The slurs could have been misinterpreted as one long slur, as the ending of the first and a bold beginning of the second one are interconnected. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
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b. 53
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Both in bar 53 and analogous bar 85 the editions omitted the wedge for the 1st semiquaver in the R.H. The sign was certainly written by Chopin in A. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
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b. 53
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In GE4 there is no staccato dot for A category imprint: Differences between sources issues: Errors in GE |
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b. 77
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composition: Op. 26 No 1, Polonaise in C♯ minor category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
1 in the L.H. Its deletion could have been totally accidental.