mUltimate Chopin

Op. 26 No 1, Polonaise in C♯ minor

Text Compare Notes Sources Description

Issues : Authentic corrections of FE

b. 50

composition: Op. 26 No 1, Polonaise in C♯ minor

Tied crotchet f2 in A

Quaver f2 in FE (→GE,EE)
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In the proofreading of FE1 Chopin shortened the 4th note in the top voice to a quaver. A respective correction—unfinished—is also included in analogous bar 82.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 51

composition: Op. 26 No 1, Polonaise in C♯ minor

 
 
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In the proofreading of FE1 Chopin removed the tie sustaining a in the L.H. The absence of correction in analogous bar 83 has to be considered Chopin's oversight or the engraver's mistake.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 51

composition: Op. 26 No 1, Polonaise in C♯ minor

 
 
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In the proofreading of FE1 Chopin changed e1 in the 1st quaver in the L.H. into d1. The fact of leaving e1 in analogous bar 83 is to be considered Chopin's oversight or the engraver's mistake.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 51

composition: Op. 26 No 1, Polonaise in C♯ minor

 
 
..

In the proofreading of FE1 Chopin changed the 4th quaver in the L.H. – the a-e1 fifth – to an a-c1 third. The fact of leaving e1 in analogous bar 83 has to be considered Chopin's oversight or the engraver's mistake.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 51

composition: Op. 26 No 1, Polonaise in C♯ minor

 
 
..

In the proofreading of FE1 Chopin shortened the 1st note in the top voice to a quaver. A respective correction is also included in analogous bar 83.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE