Issues : Errors in GE
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b. 42
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In GE there is no tie sustaining d category imprint: Differences between sources issues: Errors in GE |
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b. 44
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The undoubtedly long accent, written by Chopin in A, was overlooked by the engraver of FE. In GE2 (→GE3→GE4→GE5) a short accent was added, most probably after analogous notation in bar 76. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
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b. 44
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→EE) there is no staccato dot for the 2nd quaver in the bottom voice of the R.H., in spite of its presence in A. It is a patent oversight of the engraver. In turn, in GE1 the engraver did not include staccato signs for the bottom voice at all. The mistake was not corrected in the subsequent editions. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
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b. 45
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Over the last quaver in the L.H. FE (→GE,EE) includes an erroneous sign of vertical accent. It results from a misinterpretation of A, in which Chopin wrote the ritenuto indication between the R.H. and the L.H. in such a way that the link between the "u" and "t" letters created a circumflex over that note. An erroneous accent was placed also in analogous bar 77. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
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b. 49
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In GE2 the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Errors in GE |
2, the last note of the written grupetto. It is undoubtedly a mistake of the engraver.
1 was returned in