mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

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Page: 
Source: 
p. 4, b. 39-50
p. 1, b. 1-12
p. 2, b. 13-26
p. 3, b. 27-38
p. 4, b. 39-50
p. 5, b. 51-65
p. 6, b. 66-82
Main text
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Differences
No differences
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 48-49

No marks in AI

Dots in FE (→GE,EE)

In AI the chord in bar 48 is provided neither with a staccato dot nor with the  sign. The same applies to bar 49, which is marked in this manuscript as repetition of the previous one.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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