mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

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Page: 
Source: 
p. 1, b. 1-12
p. 1, b. 1-12
p. 2, b. 13-26
p. 3, b. 27-38
p. 4, b. 39-50
p. 5, b. 51-65
p. 6, b. 66-82
Main text
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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No differences
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 11

No mark in AI & FE (→EE2,GE1→GE1a→GE2→GE3)

Long accent in EE3 (→EE4)

Short accent in GE4 (→GE5)

Long accent suggested by the editors

We suggest to add an accent after the sign in analogous bar 61. In similar contexts, the crotchets at the end of bar are always accentuated – cf. bars 16, 18, 20, 22 and 25-26. The addition – probably on the same basis – was introduced already in EE3 (→EE4) and GE4 (→GE5).

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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