mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 27-38
p. 1, b. 1-12
p. 2, b. 13-26
p. 3, b. 27-38
p. 4, b. 39-50
p. 5, b. 51-65
p. 6, b. 66-82
Main text
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
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Important
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  b. 38

 in AI

No sign in FE (→GE,EE)

Our variant suggestion

It is hard to assume that the omission of the crescendo mark or verbal indication was intended here by Chopin – cf. the analogous phrase in bars 33-34. Therefore, in the main text we suggest the  of AI.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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