mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 13-26
p. 1, b. 1-12
p. 2, b. 13-26
p. 3, b. 27-38
p. 4, b. 39-50
p. 5, b. 51-65
p. 6, b. 66-82
Main text
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 20-22

Long accents in AI

 in FE (→GE,EE2)

 suggested by the editors

At the end of bars 20 and 22, in the main text we suggest to combine the  mark of the editions with the accents of AI, as Chopin marked it in analogous situations in bars 16 and 18. The version was introduced in EE3 (→EE4), probably on the basis of comparison with these bars.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Long accents, EE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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