Page: 
Source: 
p. 3, b. 27-38
p. 1, b. 1-12
p. 2, b. 13-26
p. 3, b. 27-38
p. 4, b. 39-50
p. 5, b. 51-65
p. 6, b. 66-82
AI - Working autograph
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Articulation, Accents, Hairpins
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AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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copy link PDF AI - Working autograph


  b. 31-32

Accents in AI

Short accents in FE (→GE,EE)

Differentiated accents suggested by the editors

The type of accents written in AI under the semiquavers in the R.H. is not clear. Several clearly longer signs previously visible on this page of the manuscript allow to consider short accents to be more plausible. The accents in FE (→GE,EE) – separately for the L.H. and over the crotchets in the right hand – are short, yet, according to us, the mere fact of separating the accents may mean that Chopin wanted to differentiate between their quality.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1