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Issues : Enharmonic corrections
b. 27
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI Chopin initially wrote the 6th semiquaver as c category imprint: Corrections & alterations issues: Enharmonic corrections |
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b. 35-36
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composition: Op. 10 No 4, Etude in C♯ minor
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In both these bars, on the 12th, 13th and 16th semiquavers, AI has a c category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Enharmonic corrections |
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b. 42
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composition: Op. 10 No 4, Etude in C♯ minor
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When interpreted literally, AI has in the last group of semiquavers two notes different than in the published version: the 2nd semiquaver a
In the main text we give the version of FE (→GE,EE), completed with the cautionary category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations |
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b. 47-49
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI Chopin wrote the 12th semiquaver in bars 47-48 (and in bar 49, marked as repetition of bar 48) as f category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections |
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b. 50
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composition: Op. 10 No 4, Etude in C♯ minor
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In the last group of semiquavers, in the place where FE (→GE,EE) has a b category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Omissions to cancel alteration , GE revisions , Enharmonic corrections |