Issues : Annotations in FED
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b. 10
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composition: Op. 10 No 4, Etude in C♯ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 16-17
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composition: Op. 10 No 4, Etude in C♯ minor
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The slur combining the octave with the semiquavers in bar 17 was added in pencil – probably by Chopin – in FED. Cf. the note on the slur in the L.H. category imprint: Differences between sources |
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b. 21-22
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we consider the 1st finger written in FED. The fingering, added by Fontana in EE, starts with a different numeral. Fontana suggested variant solutions for six notes in bar 19. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 27-28
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we give the fingering written by Chopin in FED. However, it is unclear how it is to be understood, as it differs from the fingering of similar figures in bar 25. In EE Fontana added a fingering modelled on Chopin's indications in bar 25. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 29-30
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we consider the fingering written in FED, in spite of the fact that – similarly as in the previous bars – it is unclear how to complete them. The indications added by Fontana in EE are more detailed and they partially indicate a different fingering. Two numerals, determining the 4th and 3rd fingers over the 13th and 14th semiquavers in bar 30, are most probably swapped. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
