Issues : Annotations in FES
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b. 1
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composition: Op. 10 No 4, Etude in C♯ minor
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In the version prepared for print, the first fingering numerals appear not until bar 12. However, during the lessons with Chopin, the indications concerning the fingering proved to be necessary already earlier. In the main text we consider the fingering written by Chopin in FES. In EE Fontana also offered his suggestion for bar 1, yet this fingering, avoiding the use of the 1st finger on black keys, diverts from the one by Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 2
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we give here the fingering written by Chopin in FED in analogous bar 60 (cf. General Editorial Principles, p. 17). Some of these numerals are also written in bar 2 (FES) and bar 10 (FED and FES). category imprint: Differences between sources |
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b. 10
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composition: Op. 10 No 4, Etude in C♯ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 15-17
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composition: Op. 10 No 4, Etude in C♯ minor
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The slur in the L.H. in AI and FE (→GE,EE) embraces only two bars (in AI the beginning and the end are not precisely indicated). In FES Chopin extended the slur until D category imprint: Interpretations within context; Differences between sources |
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b. 20
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we give the fingering written in FES, probably coming from Chopin. The first of these numerals is to be found also in EE (cf. bars 19-20). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
in bar 17.
