Issues : EE revisions
b. 54
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we suggest to add a wedge after the authentic mark in analogous bar 4. The wedge was already added in GE and EE3 (→EE4). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 61
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composition: Op. 10 No 4, Etude in C♯ minor category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 63-65
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering of EE, except for the last numeral in bar 65, repeated after analogous bars 13-15 (although marked less precisely), comes from Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 66-68
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering of EE is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 66-68
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composition: Op. 10 No 4, Etude in C♯ minor
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In this context, the missing slur in bar 68 must be considered as inaccuracy of notation. Therefore, in the main text we suggest to extend the slur from bars 66-67. A similar interpretation of slurring was already performed by the reviser of EE3 (→EE4). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions |