mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

Text Compare Notes Sources Description

Issues : EE revisions

b. 54

composition: Op. 10 No 4, Etude in C♯ minor

No mark in AI & FE (→EE2)

Wedge in GE & EE3 (→EE4)

Our suggestion
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In the main text we suggest to add a wedge after the authentic mark in analogous bar 4. The wedge was already added in GE and EE3 (→EE4).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 61

composition: Op. 10 No 4, Etude in C♯ minor

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We add a cautionary  before b2. The sign was already introduced in GE2 (→GE3→GE4→GE5) and EE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 63-65

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE
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The fingering of EE, except for the last numeral in bar 65, repeated after analogous bars 13-15 (although marked less precisely), comes from Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 66-68

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE
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The fingering of EE is an addition by Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 66-68

composition: Op. 10 No 4, Etude in C♯ minor

No slur in AI

Two-bar slur in FE (→GE,EE2)

Three-bar slur in EE3 (→EE4)
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In this context, the missing slur in bar 68 must be considered as inaccuracy of notation. Therefore, in the main text we suggest to extend the slur from bars 66-67. A similar interpretation of slurring was already performed by the reviser of EE3 (→EE4).

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions