Issues : EE revisions
b. 45-46
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we give the fingering numeral written in FES. In the fingering added by Fontana in EE, a different finger was indicated here. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 47
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI and FE there is no before the bottom note of the octave, which is a patent inaccuracy. GE and EE have the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 47-50
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we include the numeral added in bar 47 in FES and two which complete it, yet coming from AI. Fontana's fingering in EE diverts from Chopin's indications also in this place. Fontana gave two fingering variants. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 51
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering in EE was added by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 53-61
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composition: Op. 10 No 4, Etude in C♯ minor
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According to us, the arpeggio performance of the tenth chords in bars 53 and 61 remains beyond any doubts – see bar 11. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |