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b. 10
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composition: Op. 10 No 4, Etude in C♯ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor
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Similarly as in bar 3, the original version of AI had to be also in [A], as the traces of deleting the treble and bass clefs – used for its notation – are visible in FE. Chopin introduced analogous changes also while repeating this phrases in bars 53 and 61. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor
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According to us, arpeggio performance of the tenth chords stands beyond any doubt – it is proved by Chopin sign in bar 3, left almost certainly as a general indication concerning all analogous situations. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor category imprint: Differences between sources; Editorial revisions issues: EE revisions |
before b2. The sign was already introduced in 
