Pitch
b. 37
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In AI there is no cautionary before e1. The sign was most probably added in a proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
|||||||||
b. 37
|
composition: Op. 10 No 4, Etude in C♯ minor
..
We add a cautionary before d. category imprint: Editorial revisions |
|||||||||
b. 40-42
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In AI there are a few additional or unnecessarily repeated accidentals ( before a, the 11th note in the L.H. in bar 40 and before f, the 11th note in bar 41), or totally unjustified ( before d2, the 6th note in bar 40 and before d, the 2nd note in bar 41). In FE (→EE,GE1→GE1a→GE2→GE3) only before f, the 11th note in bar 41 remained, first removed in GE4 (→GE5). category imprint: Differences between sources; Source & stylistic information issues: GE revisions , Last key signature sign |
|||||||||
b. 41
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In AI Chopin overlooked the before the last semiquaver (A). category imprint: Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , Errors of A |
|||||||||
b. 42
|
composition: Op. 10 No 4, Etude in C♯ minor
..
When interpreted literally, AI has in the last group of semiquavers two notes different than in the published version: the 2nd semiquaver a (without ) and the 4th semiquaver A. According to us, it is a result of overlapping of inaccuracies and corrections, while the text intended by Chopin does not differ from the text of the remaining sources:
In the main text we give the version of FE (→GE,EE), completed with the cautionary before g. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations |