Issues : GE revisions
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b. 40
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composition: Op. 10 No 4, Etude in C♯ minor
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No accents in FE (→EE,GE1→GE1a→GE2→GE3) is probably a result of an oversight (Chopin's or the engraver's). In GE4 (→GE5) the first of the overlooked sign was added (in the form of category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 45
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composition: Op. 10 No 4, Etude in C♯ minor
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We add cautionary accidentals before the chord. The natural before a1 was already added in GE4 (→GE5). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 45
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composition: Op. 10 No 4, Etude in C♯ minor
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GE3 has an erroneous d category imprint: Differences between sources; Source & stylistic information issues: Errors in GE , GE revisions |
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b. 47-48
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI and FE (→EE,GE1→GE2→GE3) there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 47
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |
in 
3 as the last note of the bar. 
before the last semiquaver in these bars. It is most probably a mistake by Chopin, as there is no reason to change the figuration contour so clearly here, in addition, suggesting the C
before the bottom note of the octave, which is a patent inaccuracy.