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Issues : EE revisions
b. 23-24
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering added in EE comes from Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 23-24
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composition: Op. 10 No 4, Etude in C♯ minor
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The slur of FE at the beginning of bar 24 (on the new line) very clearly indicates continuation of the preceding one and this is how it was understood in GE1 (→GE2). However, in EE it was the slur of FE in bar 23, ending on the last semiquaver, that was considered as correct. The separation of the slurs in GE3 (→GE4→GE5) is probably a mistake. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in GE , GE revisions |
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b. 24
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composition: Op. 10 No 4, Etude in C♯ minor
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Each of the three source versions may correspond to Chopin's intention, yet at the same time in each of them there may be errors, as in the case of AI and FE and previous EE,s, or a foreign intervention, which most probably took place in GE and EE4. The e category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 24
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composition: Op. 10 No 4, Etude in C♯ minor
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We add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 26
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI and FE (→EE2) there is no category imprint: Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Errors of A |