Issues : EE revisions
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b. 4-6
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering in EE was Fontana's addition. The fingering in bar 6 is contrary to the indications written in FES, probably by Chopin, in a pianistically similar place, in bar 20. category imprint: Differences between sources issues: EE revisions |
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b. 7
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composition: Op. 10 No 4, Etude in C♯ minor
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The missing slurs in FE (→GE,EE2) must be considered as inaccuracy here, hence in the main text we give the slurs of AI, in accordance with the slurring of the editions in bar 3. In EE3 (→EE4), the bar was embraced with one slur after analogous bar 57. category imprint: Differences between sources issues: EE revisions |
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b. 8
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering of EE is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor
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According to us, arpeggio performance of the tenth chords stands beyond any doubt – it is proved by Chopin sign in bar 3, left almost certainly as a general indication concerning all analogous situations. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
before b2. The sign was already introduced in 
