mUltimate Chopin

Op. 10 No 10, Etude in A♭ major

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Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-31
p. 3, b. 32-46
p. 4, b. 47-61
p. 5, b. 62-77
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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Pedalling
Fingering
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 16

b1 in A

g1 in FE (→GE,EE)

Both versions may be considered as justified here, both from the musical and source point of view. In the version of A Chopin avoids tripling the leading tone g1. The version of FE (→GE,EE) may be considered as accepted by Chopin, who introduced changes, among others, exactly in this bar (pedalling) while proofreading FE. The accompaniment's figure in this version has a similar scheme to the figures in the preceding bar and is identical to the figure used in bar 8. In the main text we adopt the version of the base source, i.e. FE.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, Terzverschreibung error

notation: Pitch

Missing markers on sources: EE4, EE3, A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4
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